That Drifting Excrement Was Far Too Symbolic! These Are the TV Letdowns of the Past Year.
As we reflect on the television landscape of the recent year, a selection of series stand out not for their brilliance, but for their spectacular failures. From awkward spin-offs to confusingly bad docuseries, here are the programmes that left us utterly bewildered or just reaching for the remote.
The 'Sex and the City' Sequel
How to start with this divisive follow-up? Plagued with woeful writing, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show struggled to find its footing. For a moment, as the final series began, it looked like it had at last found its groove. Then came an installment centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the last series. It concluded on a low point; the closeup of Miranda’s loo flooded with poo was just way too symbolic. Still, viewers certainly found joy dissecting every single “wtf?” episode. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t let out a small sob?
The Kim Kardashian Drama
‘Can Kim Kardashian act? The answer is a resounding no.’
But that was almost the least of this drama's problems. The subject of a very rare no-star assessment, it was hard to know where to begin enumerating the flaws. The laughably leaden writing? The mind-numbing glorification of affluence and consumption? The seemingly wilful procession of tropes? Performances so poor they felt borderline malicious? Suffice it to say “all of the above” and never speak of this show again. However, a second season has been ordered, so we’re probably going to have to.
The Charlie Sheen Documentary
Given the restraining orders, abuse claims and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this multi-part docuseries which chuckled along at Sheen’s various episodes of self-destructive hedonism while failing to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be reserved for the people who have had to endure proximity with this charming but dismissive narcissist.
The Supercomputer Drama
Of course we understood it was ridiculous from the outset: a drama about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of pure admiration for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about giving up the ghost.
MobLand
Dodgy characters meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.
In truth, that is harsh on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate unconvincing accents. But there were plenty of other problems. Primarily that it was just profoundly boring; a conflict over drug-selling territory between various cockney picaresques which seemed rather simplistic.
With Love, Meghan
Given the degree to which she grinds the gears of certain ostentatiously enraged commentators, it’s temptingly easy to admire the Duchess of Sussex’s various ventures into twee homemaking as intentional provocations. But then you view them and are forced to admit that in this case, they might have a point. It’s like watching a lifestyle magazine come to life; a meme for evening drinks with ideas of grandeur; a procession of snoozing dogs, humming beehives, sentimental platitudes and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by immense, mostly undeserved wealth. Ugh.
The Beckham Documentary
There are clearly fascinating things to be said about regarding Victoria Beckham and her struggles with career, identity, self-worth. But for whatever reason, this documentary series opted not to say them. Rather, the experience was akin to consuming a marketing catalogue. She clearly has good reason to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this cagey non-event of a series.
The Game Show
It should have been the next big hit – except even more extravagant, with a famous star playing dead and a sharp-tongued personality overseeing her estate. What more could you ask for? As contestants competed, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s still too complicated to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a production that was straining desperately to live up to something far greater than it.
Too Much
How do you succeed a show that defined a generation? The pressure was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of celebrity friends involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not good enough to be ‘patchy’.
Given the smart recruitment of gifted emerging comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a one-note joke stretched to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have remained in there a bit longer.
The Twisted Tale of Amanda Knox
This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from oddly breezy, somewhat stylised farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Absolutely.
Prime Target
We admire the lead actor … but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the verge of a discovery that could ruin society? Nope! This globe-trotting thriller about secret services spying on – and eliminating – academics honestly got more farcical by the second. Formulaic nonsense.
The Bonnie Blue Documentary
This hagiography followed the content creator renowned for explicit exploits as she prepared for her biggest feat yet. What on earth would possess her? What we craved was way more examination of her actual psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to drag her son out of the queue. What we got was disturbing imagery and zero interrogation of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.